All the so called secular, intelligent people, actor and film industry wanted freedom for cinematic creativity after “Sanjay Leela Bhansali” was beaten.

They have just torn the actual history and need freedom of presentation for this??

They all demand approval for provocation of Hinduism its symbols. How these people who are away from the culture and soil of India, Hinduism’s had gained courage to do all this??

what had happened that these from decades people are doing all such blunders and the opposition parties along with media are supporting them.

Before making them all understand we have to enter into history of Indian cinema.

Ages before Indian cinema came into existence, we could witness theatre performance and stage shows by artists based on religions or chracters from indian history.

These performances were not conveying any meaning they were just trying to let people enter into world of dreams. As now Hindu’s were slaves, these shows were portraying the characters of the invaders from the West and the Mughals in an innovative musical form.

Also some of the epic love stories from the history such as Laila-Majnu, Shiri-Farhad, Salim-Anarkali, and Romeo-Juliet are a few to be named which was a pure form of fiction. These stories were passed on from generation to generation, forcibly making it a part even though these were not a part of Indian ancient culture.

After this when Parsi theatre emerged in Mumbai, the bravery of our soldiers got it’s true worth as it was portrayed here in this platform. Because it was the period of struggle for independence of India.

When india got independence in 1947 then the so called left peeped into and established different slage. Infact what we are seeing today that got its root right after Independence.

This cinema along with the creativity also brought the agenda of the leftists.This stated defining the secularism where Hindu’s characters were potrayed as “Negative” and muslims as “positive” and also started interchanging of religions.

After Dawood Ibrahim set his foot in the film industry, this concept became popular in film industry.this directly resulted into the hi-fi living of film industry people.they started having dinner and scotch in 5 star hotels.

Today, the seculars have put the responsibility of reflecting India and Indians in the hands of these people who consider hindutav as crime.

Now my question is to Sanjay Leela Bhansali, if he’s so fond of Khilji and his rule why doesn’t he give wings to his surfaced level of creativity? And why he doesn’t broadcast the real character of Khilji??

Why can’t he think of making “Kafur-Khilji’s: Eternal love story”??

If incase Bhansali is unaware of this love story, we will narrate it to him and let me be very clear that this story is not an imagined one but is extracted from the historical records.

Khilji and his fantasies towards “women”!!!

We all know how Alauddin Khilji laid his evil eyes and intention, upon the land and queen of Chittor, “Padmavati”. He falsely befriended the King of Chittor and husband of Padmavati, King Rawal Ratan Singh, on the pretext of extending friendly bond between Khilji Dynasty and the Rajputana. This is very well portrayed in Bhansali’s latest movie “Padmavati”. In which actor Ranvir Singh has played the character of Mohammed Khilji!!

And, one fact which remained well-guarded until recently, is the involvement of Indian- born General Malik Kafur in his personal life. According to Devdutt Pattanaik, once during his visit to the famous slave market “Baccha Bazi” in Gujarat Alauddin purchased Malik with the reward of 1000 dinars. Because of which Malik Kapur is also known as “Hazaar dinar Kapur” i.e thousand dinar Kapur, after being left mesmerized by his beauty!!

Khilji was said to be so fond of Kapur that he announced Kapur as the “army general” to his army.

“Sexuality” in question!!!

What remains till date, a matter of argument is Alauddin Khilji’s sexuality. Many historians claim that the ruthless Khilji ruler was bisexual and a paedophile. During this reign, Alauddin declared himself to be the prophet. He even went to the extent of forced qazis, into manipulating religious approvals suiting his whims and fetishes.

What is this baccha bazi?

The concept of “Baccha Bazi” was injected into the Indian borders from Afghanistan, which rapidly spread across the nation. Foreign invaders bought child slaves or men dancers dressed like women for their pleasure and entertainment.

Although, several historians share diverging thoughts on this fact but they do not deny the origin and existence of Baccha Bazi in India. Jayasi’s folklore, which sings praises for the beauty of queen Padmavati and the valor of chittor’s warrior, also mentions Alauddin Khilji’s “heterosexual personality.”

Khilji’s love got his death to him!!!

Kapur himself got Khilji’s death to him. It is said that Kapur poisoned Khilji through injecting Khilji’s veins. After which he pulled out the eyes of both of sons of Khilji with the intention to rule over the throne. But he was later beheaded by the 3rd son of Khilji named “Mubarak”. As he became aware of the evil intentions of Kapur.

Mr. Bhansali , there is weightage in this story but i know you will not make it because now. you have no gutz for it. All your creativity will vanish now in fear of being converted into another “Malik Kafur”.


Chaithra

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